One thing I learned in sobriety is to stop being judgmental, to always be discerning. When I drive, that will be my bumper sticker.

Hollywood needs peripheral people like me. You're not of that world, but you're needed.

There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.

Those people are seen, I assume, by Larry [Kramer] as writing partly about gay issues and problems, whether it's on the surface or not, and I am not. But another thing is when we met, there still wasn't exactly a gay/straight divide in the minds of a lot of straight people. There weren't any gay people, as far as we knew, at Yale.

I don't write poetry for the New Yorker. My poems appear in the Nation, mostly.

The first time I remember our being socially in the same place was after we graduated and [author, investment counselor, philanthropist, and fellow 1950s Yalie] Peter Wolf had a party at his house in the Hamptons.

[Calvin Trillin] was very "shoe," which means he was a big jock, a big deal.