[Washington, DC] feels like you're watching performance art. A lot of the time. I don't believe them, I don't believe what they say, I don't think they're being absolutely sincere. I think it's performance art. And most of them are bad actors.

There are ways in which you can make sure that even if people come to the theatre because they know an actor or actress, by the end, theyve forgotten that, and they leave going, Wow - what an amazing play.

It's the kind of democratization of the Internet that has led to the breaking down of barriers into the creative arts.

The audience has spoken. They want stories. They’re dying for them. They’re rooting for us to give the right thing. And they will talk about it, binge on it, carry it with them on the bus and to the hairdresser, force it on their friends, tweet, blog, Facebook, make fan pages, silly GIFs, and god knows what else about it..

Talent is only interesting if it's challenged.

Sometimes you walk away from playing somebody and you think, "Wow that was far as from my own experience as I can possibly be." And sometimes you walk away thinking, "Wow. There are qualities in that character that I didn't realize I had." And those can be both interesting and uncomfortable.

Studios and networks who ignore either shift - whether the increasing sophistication of storytelling, or the constantly shifting sands of technological advancement - will be left behind.