In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.

I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.

There are two things that have been happening over the last few decades in my opinion. First, there have been unbelievable, remarkable, pioneering advances in technology and, second, an equal amount of evolution in creativity. These two shifts are meeting at an intersection.

Im always taken aback by things that are successful that I think are just crap, and then Im completely surprised when things I do end up being successful because you walk into things and you never know Its just really remarkable.

What I like about Britain is that I can live a normal life here.

I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.

You can't win a marathon without putting some bandaids on your nipples!