I always thought the women of my age group got short shrift because the women's liberation movement came slightly after. You look at the yearbooks and you see the future homemakers of America - hurray for that - but you also see them in the engineers club. You see minority kids as student body presidents at a time when everyone was supposed to be terminally racist. Yearbooks are genres; they're also folk art, folk documentation.

I don't reverberate to victimhood, probably because of my own life. I refused to become a victim myself, so it's not one of my big stories.

The Irish didn't read and write for a couple of thousand years, and I think we developed good memories and recall. We have a sense of the revelatory detail. I look for them.

I think California is playing a game of brinkmanship that's very dangerous. Why is it 50 or 60 years ago we had the capacity to lay down the physical, psychological, cultural, public infrastructure of a global mega-state, and today we are on the verge of being Honduras?

I like narrative, and I ultimately am in love with the men and women I write about, most of them.

I always thought the women of my age group got short shrift because the women's liberation movement came slightly after. You look at the yearbooks and you see the future homemakers of America - hurray for that - but you also see them in the engineers club. You see minority kids as student body presidents at a time when everyone was supposed to be terminally racist. Yearbooks are genres; they're also folk art, folk documentation.

In the luxuriance of a bowl of grapes set out in ritual display, in a bottle of wine, the soil and sunshine of California reached millions for whom that distant place would henceforth be envisioned as a sun-graced land resplendent with the goodness of the fruitful earth.