Everyone is an ocean inside. Every individual walking the street. Everyone is a universe of thoughts, and insights, and feelings. But every person is crippled in his or her own way by our inability to truly present ourselves to the world.

You are never alone in Afghanistan. You are always in the company of others, usually family. You don't understand yourself really as an individual, you understand yourself as part of something bigger than yourself. Family is so central to your identity, to how you make sense of your world, it is very dramatic, and therefore an amazing source of storytelling, a source of fiction for me.

I don't outline at all; I don't find it useful, and I don't like the way it boxes me in. I like the element of surprise and spontaneity, of letting the story find its own way.

The bulk of our efforts [in The Khaled Hosseini Foundation] has focused on helping build permanent shelters for returning refugees who are homeless, living out in the open or in makeshift homes. This is an area of urgent need as Afghanistan's natural elements are quite harsh, with very hot summers, and freezing winters.

In Afghan society, parents play a central role in the lives of their children; the parent-child relationship is fundamental to who you are and what you become and how you perceive yourself, and it is laden with contradictions, with tension, with anger, with love, with loathing, with angst.

The story line of my novel [The Kite Runner] is largely fictional. The characters were invented and the plot imagined.

There was brotherhood between people who had fed from the same breast, a kinship that even time could not break. - Amir