Kabul was a thriving cosmopolitan city with its vibrant artistic, intellectual and cultural life. There were poets, musicians, and writers. There was also an influx of western culture, art, and literature in the '60s and '70s.

She said, 'I'm so afraid.' And I said, 'why?,' and she said, 'Because I'm so profoundly happy, Dr. Rasul. Happiness like this is frightening.' I asked her why and she said, 'They only let you be this happy if they're preparing to take something from you.

Every woman needed a husband, even if he did silence the song in her.

There [in The Kite Runner] certainly are, as is always the case with fiction, autobiographical elements woven through the narrative.

My family left Afghanistan in 1976, well before the Communist coup and the Soviet invasion. We certainly thought we would be going back. But when we saw those Soviet tanks rolling into Afghanistan, the prospect for return looked very dim. Few of us, I have to say, envisioned that nearly a quarter century of bloodletting would follow.

Afghanistan is a rural nation, where 85 percent of people live in the countryside. And out there it's very, very conservative, very tribal - almost medieval.

I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.