Hassan and I fed from the same breasts. We took our first steps on the same lawn in the same yard. And, under the same roof, we spoke our first words. Mine was Baba. His was Amir. My name. Looking back on it now, I think the foundation for what happened in the winter of 1975 —and all that followed— was already laid in those first words.

How many more people right now feel connected to Mumbai because of Slumdog Millionaire, or suddenly are interested in the plight of orphans on Mumbai after seeing that film? The same thing with the Kite Runner and A Thousand Splendid Suns.

The story of what has happened to women in Afghanistan, however, is a very important one, and fertile ground for fiction.

The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and paintings. They jailed filmmakers, musicians, painters, and sculptors.

The warlords took part in atrocities during the civil war in Afghanistan. They looted, they raped, they killed. They have become incredibly empowered and entrenched. They live in mansions, they have jobs in the government, and they're incredibly powerful. In Kabul, people don't want to speak about it too publicly, because these people are essentially like Tony Soprano.

I will say that there is an inordinate amount of medicine in my novels, especially the first one. There are a lot of medical things that happen. A hip fracture, three different kinds of lung cancer, pneumonia, blood poisoning, and so on.

The finger cut, to save the hand.