Hassan and I fed from the same breasts. We took our first steps on the same lawn in the same yard. And, under the same roof, we spoke our first words. Mine was Baba. His was Amir. My name. Looking back on it now, I think the foundation for what happened in the winter of 1975 —and all that followed— was already laid in those first words.

The story line of my novel [The Kite Runner] is largely fictional. The characters were invented and the plot imagined.

Literature and film have a way of lifting you from your own existence and transporting you to some foreign place and putting you in the shoes with an experience different than your own.

At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.

When I was in Afghanistan in 2007, I went from village to village where refugees had returned, and they were living out in the open under tents, sometimes completely exposed to the environment. And they were homeless, which meant they would lose children in the winter to the cold and in the summers in the extreme heat. It's extremely humiliating for them to be homeless, culturally it's very shameful.

For many people in the west, Afghanistan is synonymous with the Soviet war and the Taliban. I wanted to remind people that Afghans had managed to live in peaceful anonymity for decades, that the history of the Afghans in the twentieth century has been largely pacific and harmonious.

[Barack Obama] is sending more troops [to Afghanistan], but they have also realized that we are not going to win that war through guns and tanks. We have to engage the neighbors, and it is good that there is a non-military strategy in addition to a military strategy. It is, at least, encouraging. Whether it will work or not, the jury is still put.