I wanted to tell them that, in Kabul, we snapped a tree branch and used it as a credit card. Hassan and I would take the wooden stick to the bread maker. He'd carve notches on our stick with his knife, one notch for each loaf of naan he'd pull for us from the tandoor's roaring flames. At the end of the month, my father paid him for the number of notches on the stick. That was it. No questions. No ID.

When I go to Afghanistan, I realize I've been spared, due to a random genetic lottery, by being born to people who had the means to get out. Every time I go to Afghanistan I am haunted by that.

I believe Fabio Celoni's work vividly brings to life not only the mountains, the bazaars, the city of Kabul and its kite-dotted skies, but also the many struggles, conflicts, and emotional highs and lows of Amir's journey [from the The Kite Runner].

I think the scale of the conflict [in Afghanistan] has dramatically changed in 2003. You're now facing a much more motivated, well-supported enemy. I don't see any quick end to this thing.

I finally had what I'd wantes all those years. Except now that I had it, i felt as empty as this unkempt pool I was dangling my legs into.

After everything he'd built, planned, fought for, fretted over, dreamed of, this was the summation of his life; one disappointing son and two suitcases.

I returned to Kabul after a 27-year absence. I came away with some optimism but not as much as I had hoped for. The two major issues in Afghanistan are a lack of security outside Kabul (particularly in the south and east) and the powerful warlords ruling over the provinces with little or no allegiance to the central government. The other rapidly rising concern is the narcotic trade which, if not dealt with, may turn Afghanistan into another Bolivia or Colombia.