In 2004, I took a one year sabbatical to finish my second novel, A Thousand Splendid Suns. At the end of that year, I was not done with my book, and had to in effect resign from work. I did. I never went back.

I entered the literary world, really, from outside. My entire background has been in sciences; I was a biology major in college, then went to medical school. I've never had any formal training in writing. So what I know about writing, I know from my own instincts, and whatever the narrative voice is in my own head.

[Flying kite with my friends] is one of the seminal memories of growing up for me.

I'm gladly doing my own thing for the time being.

It was you Nabi. It was always you. Didn't you know?

I wanted to write about Afghanistan before the Soviet war because that is largely a forgotten period in modern Afghan history.

Was there happiness at the end [of the movie], they wanted to know. If someone were to ask me today whether the story of Hassan, Sohrab, and me ends with happiness, I wouldn't know what to say. Does anybody's? After all, life is not a Hindi movie. Zendagi migzara, Afghans like to say: Life goes on, undmindful of beginning, en, kamyab, nah-kam, crisis or catharsis, moving forward like a slow, dusty caravan of kochis.