It was the kind of love that, sooner or later, cornered you into a choice: either you tore free or you stayed and withstood its rigor even as it squeezed you into something smaller than yourself.

You can not stop you from being who you are.

You are never alone in Afghanistan. You are always in the company of others, usually family. You don't understand yourself really as an individual, you understand yourself as part of something bigger than yourself. Family is so central to your identity, to how you make sense of your world, it is very dramatic, and therefore an amazing source of storytelling, a source of fiction for me.

There is only one sin. and that is theft... when you tell a lie, you steal someones right to the truth.

At the door , she made him promise to go without goodbyes .She closed the door on him . Laila leaned her back against it , shaking against his pounding fists , one arm gripping her belly and a hand across her mouth , as he spoke throughout the door and promised that he would come back for her . She stood there until he tired , until he gave up , and then she listened to his uneven footsteps until they faded , until all was quiet , save for the gunfire cracking in the hills and her own heart thudding in her belly , her eyes , her bones .

In early 1999, I was watching TV, when I came across a story on Afghanistan. It was a story about the Taliban and the restrictions they were imposing on the Afghan people, most notably women. At some point in the story, there was a casual reference to them having banned the game of kite fighting. This detail struck a personal chord with me, as I had grown up in Kabul flying kite with my friends.

In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.