What doesn’t kill me can only make me stronger

It's not like I just take the beat, rap on it and take it for what it is, I always have the producer send it to me, loop the track out, move some stuff around.

I haven't stopped making music since I started at 16 and throughout the years I made a lot of different connections and had a lot of opportunities.

I had to figure out what to make for myself as an artist. As a producer you make stuff for all kinds of different people. I was making beats for other artists but not for myself. It was kind of weird.

When I was first introduced to the music business, I learned how to make beats. All my friends rapped, but nobody made beats. So since I didn't do either at the time, I thought it would make more sense and I would be more valuable to the team as the in house producer.

Expect to get more than you expected [from Crash Landing project]. Expect more than a mixtape.

It was a proud moment in giving me the confidence, that I was 'stamped' in the offices as much, you know, as I would get from the streets. To where it's like I'm getting the love from the streets and from the people in the building - and that's kinda dope.