My personal favorite records might have to be "Keep It Rollin" and "360" featuring Meek Mill...oh and the Intro Is Murder!

It's not like I just take the beat, rap on it and take it for what it is, I always have the producer send it to me, loop the track out, move some stuff around.

I haven't talked to [Sterling Simm] personally about the situation. We did a couple retweets to make some noise and get a little feedback, but I would definitely consider it. When we had our session for the "All I Know" collaboration he played me a number of records, one being "All These", that were crazy.

I almost feel like I'm still in a molding stage so the feedback and response not only inspires me but guides me in a certain direction as well.

I could always hold a melody, but I was never like, I'm going to be a singer. So I'm able to use that when I write. I'm actually playing the beat with my voice. Instead of thinking about coming up with melodies, it's like filling in the instruments. So sometimes it's better to have beats with less melodies in them, because then I can play more with my vocals.

The videos are sometimes the only way for people across the country and different places to see and hear the music. They may not get the same radio stations or they don't get the same TV channels, they don't have the same MTV that plays the same music. People will use to the Internet and that's why YouTube and stuff like that is so important.

I've seen people who don't have deals get features from people that labels can't even get features from, because you gotta show face and be in-tune with these guys who still have that independent mind set as far how you hustle yourself. Because they only really care at the end of the day about the dollas.