I had to figure out what to make for myself as an artist. As a producer you make stuff for all kinds of different people. I was making beats for other artists but not for myself. It was kind of weird.

I've seen people who don't have deals get features from people that labels can't even get features from, because you gotta show face and be in-tune with these guys who still have that independent mind set as far how you hustle yourself. Because they only really care at the end of the day about the dollas.

I could always hold a melody, but I was never like, I'm going to be a singer. So I'm able to use that when I write. I'm actually playing the beat with my voice. Instead of thinking about coming up with melodies, it's like filling in the instruments. So sometimes it's better to have beats with less melodies in them, because then I can play more with my vocals.

My agenda will never change from making good music and staying relevant.

I almost feel like I'm still in a molding stage so the feedback and response not only inspires me but guides me in a certain direction as well.

I had to figure out what to make for myself as an artist. As a producer you make stuff for all kinds of different people. I was making beats for other artists but not for myself. It was kind of weird.

I wrote and concepted 99% of the ideas for Crash Landing and we reached out to a lot of different popular producers like Jahlil, KE, Kajmir Royale, Hit-Boy etc.