I had to figure out what to make for myself as an artist. As a producer you make stuff for all kinds of different people. I was making beats for other artists but not for myself. It was kind of weird.

It was a proud moment in giving me the confidence, that I was 'stamped' in the offices as much, you know, as I would get from the streets. To where it's like I'm getting the love from the streets and from the people in the building - and that's kinda dope.

When I was first introduced to the music business, I learned how to make beats. All my friends rapped, but nobody made beats. So since I didn't do either at the time, I thought it would make more sense and I would be more valuable to the team as the in house producer.

My agenda will never change from making good music and staying relevant.

I'm always thinking of ideas and sounds. I am waiting on something new and dope to inspire me.

I think people think that labels can get you features more than you can get your own. I just doesn't work like that.

I feel like when you're an artist and you first come out - people don't want you to be as creative as you could possibly be as a musician. More so they really want you to stick to something.