There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.

I think that the day you've figured out the differences between women and men is the day that you're no longer attracted to women. It's the difference that is so fantastic and frustrating and angering, and really sexy.

I've done some stupid things. You just have to take responsibility, go, That was embarrassing, and move forward as best you can.

There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.

When Julia and I broke up and I was really scared to go into a market or anywhere because I thought, Oh God, everyone must hate me. And that wasn't the case. People said, I'm sorry this happened, man. Are you alright?

Isn't it funny? You hear a phone ring and it could be anybody. But, a ringing phone has to be answered doesn't it?

If you take a look at our natural history, there's always a moment where the young lion wants to challenge the older lion and, inherently, that's going to be problematic, and I don't think we're any different.