There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.

Commander I believe in God and his son Jesus Christ and because I do I can say this. Private Santiago is dead and that is a tragedy. But he is dead because he had no code. He is dead because he had no honor. And God was watching.

When I was younger, my whole sense of self-worth was based on whether or not I was working, which was awful. And I had a baby at 20 years old, so it wasn't just about me. At around the age of 30 there was a stretch where I wasn't working - certainly not on anything I liked, anyway - and I started to do other things.

There's a confidence that comes from youth and not knowing better.

I had never gone to college, I left school at a really early age, and all of a sudden I've got six really great friends hanging out with me every night. And we were a really tight group, and we just had an absolute blast.

I think that the day you've figured out the differences between women and men is the day that you're no longer attracted to women. It's the difference that is so fantastic and frustrating and angering, and really sexy.

Most of my career I've spent really nervous. Just about work, getting work and having it in.