I've made films that I've given all I had to, that no one has seen. The bottom line is I want to work and I want someone to enjoy it.

Some days I'm in better control and can navigate my way through stuff, and other days, not so much.

There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.

Love is a self-manifested notion depending on how lonely you are - so if you're really attracted to someone, and you're really lonely, I think you can fall in love in an instant. It's all about where you're at.

The most significant piece of advice my father gave me early on about acting was, don't get caught acting. Really believe in what you're doing and then commit to it. Even if it feels uncomfortable, even if you feel that you're gonna look like an ass. It's all acting, but find the truth in a moment as opposed to just pretending you have and rather than trying to act your way out of it.

The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.

Theres a confidence that comes from youth and not knowing better. But there comes a point, as an actor, when you do know better, and that is when the fear starts.