Theres a confidence that comes from youth and not knowing better. But there comes a point, as an actor, when you do know better, and that is when the fear starts.

Some people think it's because '24' was jump-started by what happened on 9/11. That was never why we made the show. We started production six months prior to 9/11, and we'd already done ten episodes.

I wasn't trying to do a play or do what Kevin Spacey did. I was trying to do my own thing with it.

There are certain moments that you have to hit in a film, like when a character cries.

I think when you get the opportunity to work with someone like Lars Von Trier... I mean, Alexander Skarsgård, Charlotte Rampling, John Hurt, just to work with those actors, you take that opportunity when you get it.

I've always been shocked that people that I'm actually flying with say, 'Oh, I feel safer on the plane with you.' I'm thinking, 'You must not watch the show because everybody around me gets killed.'

There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.