I think when you get the opportunity to work with someone like Lars Von Trier... I mean, Alexander Skarsgård, Charlotte Rampling, John Hurt, just to work with those actors, you take that opportunity when you get it.

I think just in general there's a bunch of films that mattered to me that didn't reach their potential, and on some level you have to assume responsibility for that. And I think over the years that gets difficult.

I've always been shocked that people that I'm actually flying with say, 'Oh, I feel safer on the plane with you.' I'm thinking, 'You must not watch the show because everybody around me gets killed.'

Love is a self-manifested notion depending on how lonely you are - so if you're really attracted to someone, and you're really lonely, I think you can fall in love in an instant. It's all about where you're at.

When I started, with films like 'The Bay Boy' and 'Stand by Me', I look back on those interviews and I'm amazed; there's no mention of my father; it's not even 'son of Donald Sutherland.' I caught a bit of a break in that it never felt like a weight to me.

I've made films that I've given all I had to, that no one has seen. The bottom line is I want to work and I want someone to enjoy it.

There are three things we need to do for a band. We need to make a great record; we need to get the record played; and we need to find an audience for the live shows.