I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.

Phonogram was explicitly about our world. It’s a fantasy which is happening around us all, unnoticed except for those who’ve fallen into its world. In a real way, it’s real. Conversely, W+D is much more overt. The appearance of the gods changes the world, and has changed the world going back. There’s the strong implication that certain figures in our world simply didn’t exist in The Wicked And The Divine‘s world, because they were replaced by a god.

Phonogram is the memory of a long period in my life through a surprisingly small filter. Those characters are basically the golem who accompanied me on that decade and a half.

THE WICKED + THE DIVINE is unlike True Detective as: it features women who do things. THE WICKED + THE DIVINE is like True Detective as: we shamelessly rip off huge chunks of stuff from Alan Moore.

Music will save your life, but may leave you with a life not worth saving. The characters Phonogram tends to follow are extreme cases.

I've never had much attraction to writing fanfiction. I don't spend much time thinking about properties I don't own, as it's 'wasted' brain-cycles.

I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.