I'm accountable - this sounds emo - to black American writing, Southern writing, Southern black American writing, American writing and my people. That's kind of what keeps me accountable.

I'm accountable - this sounds emo - to black American writing, Southern writing, Southern black American writing, American writing and my people. That's kind of what keeps me accountable.

I wanted to create a book that was unafraid of black bodies, yet super interested in thinking about the relationship of love to body and sexuality without relying on tired understandings of "gay" "bi" or "straight."

In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.

One of the problems with a lot of "confessional" writing is that it starts and stops with the confessional and doesn't really tie the "I" into a "we" at all. I'm still surprised at how mad critics get at that kind of confessional writing.

I'm also, than anything else, a teacher and a student. And without the four hours, I'm pretty monsterish. For real.

I'm interested in how the confessional is so abrasively critiqued today. I'm not really comfortable with simply confessing but I do think "confessing" is a major part of reckoning.