The "How to Slowly Kill Yourself and Others" essay was so hard to write because of the memories, the sensory stuff, but also because it didn't follow the form of any essay that I've ever read. And the truth that I was exploring necessitated that obliteration of traditional form, I think.

I'm interested in how the confessional is so abrasively critiqued today. I'm not really comfortable with simply confessing but I do think "confessing" is a major part of reckoning.

Long Division has a lot of Afrosurrealist impulses. I think the book was more Afrofuturist when it was like 700 pages.

The "How to Slowly Kill Yourself and Others" essay was so hard to write because of the memories, the sensory stuff, but also because it didn't follow the form of any essay that I've ever read. And the truth that I was exploring necessitated that obliteration of traditional form, I think.

I'm accountable - this sounds emo - to black American writing, Southern writing, Southern black American writing, American writing and my people. That's kind of what keeps me accountable.

I wanted to create a book that was unafraid of black bodies, yet super interested in thinking about the relationship of love to body and sexuality without relying on tired understandings of "gay" "bi" or "straight."

I'm not good enough as a person and definitely not good enough as a writer.