I really like Olivier Assayas filmmaking. He always has this global - economy thing going on.

I always think of baseball as so existential. Like, you're just out there in a field, in a big expanse of green grass.

The clothes in themselves are empty. But what they throw off and what clothes mean as signifiers is incredibly interesting - to see what people do with it. That's more interesting to me than flipping through a magazine or seeing the fall look.

You're always going to feel like you're catching up, and part of that is just balancing work and motherhood and the whole feeling of needing to please, which I do think girls and women feel more than men.

I tend to want to listen to melancholy music, but sometimes if you're feeling too sad, you can't.

Recently some work I made could be seen as feminist art or work that relates to the body. That's just what I'm feeling - like it needs to be done.

When I was young, there was never any space for me to get attention of my own that wasn't negative. Art, and the practice of making art, was the only space that was mine alone, where I could be anyone and do anything, where just by using my head and my hands I could cry, or laugh, or get pissed off.