We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become "the paper made of human meat," we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.

Alienation between the content and form happens frequently in my poems because I obstinately carry on dismantling my body, an act you can also call "dismantling delusion." I think that after I dismantle my female body, I can finally dismantle established lyric poems.

South Korea is one of the worst countries when it comes to opportunity for women in social activities and employment. To my disgust, in certain communities in Korea, you cannot even imagine how severe sex discrimination is.

Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.

You cannot call a poem female just because it is written by a woman. Nevertheless, I think attempts to find femininity in female bodies, life, and thinking, attempts to find a way for women to speak, will improve widely in Korea.

There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.

Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.