I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.

Interestingly, my first director's cut was an hour and forty-one minutes. Then, the studio actually wanted to add more to the story, so we went all the way up to an hour and forty-seven minutes. After that, I made some additional cuts and now we are where we are.

I prefer to work the old-fashioned way. I trie to do everything or most of his action sequences practically, because I feel that while added effects or the VFX process allows for flashier sequences, I feel that it lacks the energy we see in practical effects.

I'm someone who has a singular goal in making films; I want to tell a story. There are certain stories that I want to tell. Hollywood's never really been the ultimate goal for me.

I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.

Initially, before I came to Hollywood, I thought that the language barrier would be the biggest challenge, but I realized that actors all around the world, regardless of language, are all the same.

To be honest, I would have to say that there was a certain burden in working with Arnold, a big action star. I am aware that Arnold is loved by the American audience, but rather than focusing on working with Arnold, what I focused on was expressing the character, Sheriff Owens, through Arnold the actor and knowing that Arnold and my idea about Sheriff Owens coincided and that it was about Owens protecting a certain value and justice, I focused more on that aspect that helped me to be more comfortable in working with Arnold.