I watch mainly fiction. The films I like watching are films where you see people change, like with Boyhood. You see a moment in someone's life where it's a breakthrough. For me, the breakthrough in Boyhood is that amazing moment right at the end when he finds somebody he can feel relaxed with, and who will maybe be a friend for the rest of his life. I like that it doesn't end in a love affair or marriage. It just ends in, "Wow, I found people I can relate to for the first people in my life. These people accept me, I like them."

I don't make 'issue' films. I like making films about rebels or pioneers or people that are doing something.

I try to make films where the audience forgets the filmmaking and gets engrossed in the story as it unfolds. I don't want them to ever feel bored, or that they're being told what to think, or to feel depressed. I don't like films about victims - I want to celebrate brave survivors like Brenda and the wonderful women in the film.

The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.

I know that sounds contradictory - you're going on a journey, but once you know who your characters are, you become more disciplined and you film less and less.

I remember very clearly when I found my first soulmate, it was actually in my late 20s, that wonderful feeling of being accepted by people.

I'm not generalizing anymore about men and women, because I think these old terms of "masculine" and "feminine" are going very fast with the rise of transgender rights that are questioning what all these categories are.