Models are what they are... people who model clothing, that's all.

Setting can be something that is a major player in a scene, something that makes the mood leap from the page. But if an author doesn't handle it right, it falls flat or seems overdone. It is a challenge getting it "just right".

I'm still reading some scripts and I model as well, so I'm still doing that. But I don't want to do like just anything so we're being really selective about the stuff I'll do.

Dialogue saves me. I love writing the conversations between my paper people. For some reason, that is the easiest thing for me. It's like I am a transcriptionist for the voices in my head. I can hear them talking (mentally) and have a gift for getting it on the page.

My experiences always influence my writing, but usually only on an emotional level. I have experienced death of a family member and it's easy to dredge up those feelings and get them on the page.

There are days when I don't want to go to the gym or find myself not super motivated upon arriving. I would visualize myself playing at the Olympics.

I think I have always wanted to tell stories. My mother was the real catalyst. I kept talking about it and so she pulled out a story I wrote (and illustrated) back in elementary school. She used that as proof that I should be writing and had been doing so unconsciously for years.