I think it's why we're able to look at with comic book stories or origin stories, why is it that we can keep retelling these stories over and over? And hopefully it's because it hits something so universal and so primal inside of us that we actually yearn for that same story over and over. But toned and different form, and updated and modernized, and I can go into the specifics.

If you're writing in the mainstream... Whatever that is - the norm. The norm is likely going to be funded because you're giving people what they're used to and what they're gonna get. But anything outside of that norm is going to struggle to get funded. The people who are not "the norms" deserve the chance to make art. I think it's great for all of us to consume all these voices, and that happens when you support these voices that need to be supported because they're not the automatic choice coming out of the gate.

Art changed my life. I mean, I would say art saved me. I believe that it made me better at handling my life.

There are a number of times when we have found, there's a number of old-school special effects in here that are fantastic, but there are definitely some times that we went digital and you're not going to tell the difference, I don't think. I think it just serves the storytelling because that's just the era that we live in.

In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.

I'm a writer who doesn't much think about money because money doesn't really care about me. In other nations, art gets subsidized. Writers aren't wealthy by any means, but there's the idea that the state supports the creation of art.

You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots."