I don't try to be sexy, but if you are sexy it comes out. If you're not, you're not.

I've always had a process that I do before I even get to set or go to the location. I work privately, and it almost feels like therapy between me and who I'm playing. So I have this inner life that's there and it gives me a confidence, too, that when I'm playing the role I know every question.

If you're successful at a young age, no matter the profession, there has to come a time when you reevaluate everything, what it means to you. 'Is this what I want to do for the rest of my life?'

I get along really well with Lars [von Trier] but definitely during our first meetings I was feeling him out and he definitely says some things that are inappropriate and then you kind of get his sense of humour. I really enjoy him. He's one of my favourite people I've met now. So, he's pretty great.

New York vintage is too expensive!

As an actress, there's a lot of waiting. You wait for a script to come in that you want to do. You get to a point where you decide that if you want good things to be made, you're going to have to start making them yourself as an actress. You can't just wait around for it. But you can also just enjoy the breaks, and use them to kind of refuel. I've been working so long at this point that I don't mind the breaks. I think they make me better, actually.

I wanted to get an angel wings tatooed on my back, as a guardian thing.