I feel like I could never walk around a film half-naked. I definitely wouldn't want to see that.

I just don't want to be the damsel in distress. I'll scream on the balcony, but you've got to let me do a little action here.

The best scripts I read are usually pretty - they move really quickly, there's not a lot of exposition in between all of what's happening, so you can really just flow with the lines, and you're reading and it has a momentum and you understand it emotionally.

A lot of people my age who are working right now have never acted; they get a show and suddenly they're making millions. It's always those people who get it fast who have the most trouble staying grounded and being themselves.

I've always used my own personal emotions and things that I've gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I'm playing.

I'm the kind of person who buys a new thing, wears it so much and then is totally sick of it.

The real secret to total gorgeousness is to believe in yourself.