If you're successful at a young age, no matter the profession, there has to come a time when you reevaluate everything, what it means to you. 'Is this what I want to do for the rest of my life?'

I don't gossip about myself.

When I'm an old lady, I'm going to have my pick of the young men. They'll be like, 'She's Miss Mary Jane!' The young boys will think I'm a hot old lady.

When I was little, I put on plays for my family at Sunday dinner, and I would direct them and have all my cousins, my brother, and my best friends in it. I was a very imaginative and theatrical child and wasn't afraid of being in front of a camera. It was like make-believe to me.

Charlotte Rampling is someone I've wanted to work with for a very long time. I've always looked up to her as an actress and it's a reason why I feel brave to do a film like Melancholia. So, to me she's the ultimate.

I try not to do scenes a certain way, because then I become conscious of it, and it dosen't come off as realistic. I try to make it so that I'm not really aware of what I'm doing.

I really think the key to a film is the chemistry of people.