I was a very extrovert kid. It felt normal to me to act. I always went to regular schools. I've never been catty or a prima donna, so I never had problems. I always had my seat at the cafeteria when I came back from acting.

The best scripts I read are usually pretty - they move really quickly, there's not a lot of exposition in between all of what's happening, so you can really just flow with the lines, and you're reading and it has a momentum and you understand it emotionally.

I liked the girly cartoons. I was very much a girly-girl.

Charlotte Rampling is someone I've wanted to work with for a very long time. I've always looked up to her as an actress and it's a reason why I feel brave to do a film like Melancholia. So, to me she's the ultimate.

The hardest job an actor can do is all this pretend, all this screaming and being scared for your life.

When you're little, you're open to things. It's not like you get into this rehearsed zone when you're a child. At first you play different sides of yourself. And I think it will be really exciting one day to have a character to go into that's not anything like me whatsoever.

When you feel good is when you're not afraid to feel the worst.