The filmmaker is really important to me: it could be their first film; it's not just about their reputation, but I have to really believe in them.

I love my snaggle fangs. They give me character and character is sexy.

And sometimes, you need your knight in shining armour.

I don't really relate to myself as The Girl in the Magazine. Which is dangerous for me, too, sometimes, because I don't think all the time, 'Well, look to see if people are following me home.' Sometimes I'm a little bit more free than maybe I should be.

I can't imagine having a real personal thing, like divorce and marriage, all those things, being in the public eye. I try to not talk about anything personal, and then nobody has the fire to throw back at you, like 'You said this back then!'

I would always rather do a mediocre script with a great filmmaker than a great script with a mediocre filmmaker.

I just don't want to be the damsel in distress. I'll scream on the balcony, but you've got to let me do a little action here.