It's important to me that I don't get trapped in the whole teen scene, because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes.

It's such a private thing - 'my process' - I can just say that the work that I do is like therapy between me and the character.

I'm a person who likes to hang out. I would never go on a blind date. That sounds like the most uncomfortable thing on the planet earth. It's like, 'Hi. Nice to meet you. So, what kind of music do you like?' Date ended.

After “Melancholia” and “On the Road,” I wanted to do a comedy. And I did so many comedies when I was younger, but if you’re not consistently in those movies, people don’t always think of you for them.

I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.

I used to feel like I had to be the best at what I did, but I realized I don't have to be the best. It's so freeing. I've never been this happy.

Lars von Trier is not not somebody who is known for conducting a normal press conference ever!