The best scripts I read are usually pretty - they move really quickly, there's not a lot of exposition in between all of what's happening, so you can really just flow with the lines, and you're reading and it has a momentum and you understand it emotionally.

I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.

I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.

Madonna is my role model shes such a powerful woman. I love Gwenyth Paltrow, shes an actress I aspire to be like. And, of course, my mom. She drove me from New Jersey to New York every day for commercials so I could get where I am today.

What actor do you really take seriously who becomes a singer? It's kind of ridiculous. I can't think of anybody.

I get along really well with Lars [von Trier] but definitely during our first meetings I was feeling him out and he definitely says some things that are inappropriate and then you kind of get his sense of humour. I really enjoy him. He's one of my favourite people I've met now. So, he's pretty great.

It's hard to get lost in a scene, to get into a character when everyone's standing around you on the set.