It's a nightmare if you're working with someone you don't get on with, especially if you have to be in love with them.

I've inherited the bad poetry genes, but not the inventor genes.

I went to school, and I remember that you had to do these tests to find out what set you're in - how clever you are. I put down "Kit Harington," and they looked at me like I was completely stupid, and they said, "No, you're Christopher Harington, I'm afraid." It was only then I learnt my actual name. That was kind of a bizarre existential crisis for an 11-year-old to have, but in the end I always stuck with Kit, because I felt that's who I was. I'm not really a "Chris."

You know obviously a big TV or film break would be lovely, but I find that I’m essentially a theatre trained actor and that’s what I love doing. I love fringe theatres in London, I love theatres like the Royal Court, Soho and the National obviously and if I could work in any of those and be a jobbing actor for a while then I’m very lucky.

You know that thing when you break up with someone and you’re walking around the town where you both live and you’re just really hoping to see them? You know that you’re not supposed to see them, but there’s nothing you want more.

I'm very much a "that's so obvious, I must not mention it" kind of guy.

The best people to have power are the ones who don't want it.