I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out.

How did this or that change my music? The only time I have to think about it is when an interviewer asks me that.

Most of today's music is done electronically.

Manuel is still today a good friend. The others I see rarely, but with Edgar I phone from time to time.

As everyone else, I was a fan of Pink Floyd in the sixties.

Yes, I was invited to make the sound environment at a booth of a huge electronic company, during the Hanover Industrial Fair in 1973. It was a job. Slightly good paid. But not as much as my producer then told the press.

Everything changes permantly. How boring if it wouldn't.