Ralph Angel was such a great character. The single-father image has been portrayed in so many ways so having the ability to be a part of that narrative excites me!

Louisiana taught me another level of humility. Everyone is so content, not socially content but spiritually. Everyone is happy with who they are and loves their city regardless of what has happened here with Katrina and all the different stories. They have a sense of pride and it really rubbed off on me.

I feel like the stillness of Ralph Angel - him being formerly incarcerated, being a Black man, being misunderstood in this world, I felt like that brought him to a place where he thought he had to be an observer - externally and internally.

As much as he's been through, he's so alive and open to change. That's what I wanted to channel and I feel that's the root of who he is. So I was still and listening to God. All of that came together to really birth this human being known as Ralph Angel.

As a young, Black man, I absolutely feel responsible.

If I choose this platform [The Black Arts Movement] and God validates this platform, I feel like we have to use the hyper-reality to get people closer to [actual] reality. Right now is so special because it's the information age and people just want to be aware and there's no better way of doing that than through art.

When the dialogue is on point and I feel like the overall story and message is really serving something that's socially progressive, it really makes me want to be a part of it.