I happen to know at least a hundred Sudanese refugees in the United States, all of whom were taken in by white families and white churches, and they all tell me''Naima, you were blessed to be raised by Black Americans.'

I loved 1930's women's pictures'films by Josef Von Sternberg or William Wyler. So, I fashioned a style out of that. The integrity and ethos of what I would write, however, came from the films of Ousmane Sembene and from reading Richard Wright, Toni Morrison, Sylvia Plath and Alice Walker.

I have much more power and protection than Salman Rushdie, because I'm an American citizen, but yes, I live in terrible fear for my life and for the lives of my children. My whole family has been threatened, my adoptive parents had to sell their house and move out of Washington, D.C. because of death threats caused by my work and activism.

The press doesn't like me, because I am a weirdo to them, so they do everything to create their own fictional Kola Boof.

I have never turned a trick in my life, and I just resent the American definitions of ’sex slave’ and ’prostitute’ so much. I was a mistress!

I don't see a huge difference between the African condition and the black American condition. The only real difference is that black Americans live in the richest country on Earth surrounded by a majority white population and are almost entirely disconnected from their original culture and their God-given identity.

I have this problem where it's like'I can never stop thinking. For instance, I find myself obsessing over the treatment of black women and girls by black men'the fact that black men have a special prejudice against black women and generally don't protect them or attempt to understand them, and I cry an awful lot about that.