I appear topless as a way of holding on to my Nilotic culture, and I also do it to taunt those Africans who are ashamed of our original cultural beliefs.

I do feel it's crucial that women's opinions be taken equally with men's. But still'I have not been accepted by the American white feminist writers and activists, and frankly I don't care to be, so I am a womanist. I am feisty and I am given to womanish behavior.

I value men and I don't necessarily want to adopt the man's role, but I do want to see women's humanity honored and respected.

There are more than 100 million African women who go topless at some point in the day, each and every day, to honor both God and our ancestors. So being in a country like America where nothing is hated more than the image of the black woman, even by black people'because her womb produces the black man and makes us black'I find it of grave importance to implement African images, and especially to produce media images that acknowledge the sexual power and fertility of black women.

I loved 1930's women's pictures'films by Josef Von Sternberg or William Wyler. So, I fashioned a style out of that. The integrity and ethos of what I would write, however, came from the films of Ousmane Sembene and from reading Richard Wright, Toni Morrison, Sylvia Plath and Alice Walker.

I have never received full credit from the SPLA [Sudanese People's Liberation Army], because the men are very sexist and feel that I'm acting out of place, bringing too much attention to myself - but for the funeral of our leader John Garang, they had me write the poem "Chol Apieth" to eulogize him, and that was their way of acknowledging my contributions.

I love cooking for men and making love with them'not just reproductive lovemaking but I like sex for the sake of freaking out with men.