Someone once told me it's more important what you turn down than what you take, and I think that rings true, especially when you're trying to make decisions about how you want to be viewed. It's hard, because I also want to have fun, and if there's a project that's super-small or low-budget or silly but it happens to have friends involved, I'll always take it, because my number-one priority is that I want to have fun with my career.

I've got a lot of nervous energy and I trip a lot. I don't have a good equilibrium. In the places where the physical comedy was necessary, it came very naturally and it was fun.

I loved Veronica right off the bat. She was so strong and I think it is so important because there are so few shows that portray women, especially young women as being strong and being able to stand up for themselves.

I think when there's so much information to be eaten up, and so many ways to do it, people cling to groups. I think we, as monkeys, want to live in smaller groups.

I'm more of a homebody. I'm constantly asked: 'Why don't we see you out?' But that's not what drives me. I prefer to have people over - which I do a lot, because I bought a house that's way too big for me, and four of my friends live there

I was so paranoid that my friends wouldn't like me. I went to a very small school where the consequences of bullying were very real. You couldn't just push some nameless face in the hallway because everybody knew each other's families, so there wasn't the obligatory psychotic jackass that tortured everybody.

I can fill my cup up with real human interactions that allow me to be an actor. If I had no basis for relationships, as Kristen Bell, the human, I couldn't be an actress.