Someone once told me it's more important what you turn down than what you take, and I think that rings true, especially when you're trying to make decisions about how you want to be viewed. It's hard, because I also want to have fun, and if there's a project that's super-small or low-budget or silly but it happens to have friends involved, I'll always take it, because my number-one priority is that I want to have fun with my career.

I think that American audiences are more used to following one character.

I loved Veronica right off the bat. She was so strong and I think it is so important because there are so few shows that portray women, especially young women as being strong and being able to stand up for themselves.

Anyone who is gossiping is just insecure about that person they're gossiping about.

I feel like when I arrive at the hospital I want a glass of whiskey, I want the epidural in my back. And, I want to get hit in the face with a baseball bat...

I think real humans are so complicated, and often [characters] are written more one-dimensional without maybe even the writer knowing it. I've felt numerous moments in my life where my most confident moment and my most insecure moment were exactly the same time. There's nothing funny or interesting about perfection.

I've got a lot of nervous energy and I trip a lot. I don't have a good equilibrium. In the places where the physical comedy was necessary, it came very naturally and it was fun.