What was previously perceived as nerdy is now viewed as original. What I like about nerdiness, geekiness, is it doesn't really matter what you're into - it just means you're not a follower.

When Veronica Mars was canceled, the following season of pilots for The CW had been announced, and one was Gossip Girl. I read it, and I knew I was sort of old to play any of the kids. I called Dawn Ostroff -- who was the head of The CW at the time -- and said, 'Hey, I did so much narration on Veronica Mars, can I narrate this show? And she said, 'Hey, that's a very good idea.' They knew I had a younger voice, they liked me and they knew I'd show up for work, and I guess that was all I really needed. It was so clear to me how sassy and catty she needed to be.

I've got a lot of nervous energy and I trip a lot. I don't have a good equilibrium. In the places where the physical comedy was necessary, it came very naturally and it was fun.

I'm an awful driver. I'm not going to lie about it. I'm not a good driver. I tried for a long time to pretend that I was. There's a lot of road rage and a lot of times it's directed at something I've done on the road

I think real humans are so complicated, and often [characters] are written more one-dimensional without maybe even the writer knowing it. I've felt numerous moments in my life where my most confident moment and my most insecure moment were exactly the same time. There's nothing funny or interesting about perfection.

There are so few strong roles for women, especially young women. And Veronica is very serious but also very likable. She's a lone wolf, and it appeals to people that she isn't rich and doesn't have a lot of friends. No posse. She's just like you, like most of us.

I've always been a serial monogamist.