I'd do pretty much anything to get back on stage. I'd like to develop a new musical. I nearly had a heart attack when I heard that they're developing John Waters' Cry-Baby because that is so amazing and super and wonderful and I wish that I could be involved. But it's not the right time and I understand that. But I hear things like that and I get that little tingle in my stomach.

Someone once told me it's more important what you turn down than what you take, and I think that rings true, especially when you're trying to make decisions about how you want to be viewed. It's hard, because I also want to have fun, and if there's a project that's super-small or low-budget or silly but it happens to have friends involved, I'll always take it, because my number-one priority is that I want to have fun with my career.

This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.

Romanian movies are not made the same as American movies are, only because it's newer there. For instance, cigarettes, over there, are much more prominent, and Americans aren't used to that.

I think that American audiences are more used to following one character.

I've definitely grown, and I think I've done enough stuff that people might look at me only as Veronica Mars. But honestly, I really don't mind if they do.

I would absolutely identify as a New Yorker by nature. I grew up in Detroit. There was not a bone in my body that even considered staying in Detroit for the rest of my life.