The fundamentals of what I'll do to prepare for a role don't really change. They evolve as you work with more actors and you pick up more tricks.

By far, the content of Canadian films. You're able to push the envelope in ways you can't in the U.S., I find. But also, because of the budgets and everything, it's all condensed, quick, and short.

A lot of films in Canada are subsidized by the government, and compared to a studio, the government really stays out of your face creatively.

There wasn't even a movie theater in the town. Nothing. Not even any fast food chains of any kind. Regardless, I knew that I was going to leave and become an actor, and be in film and television, and I've done it.

You have a lot more freedom to explore and improvise in a Canadian film, which you might not have when there's 13 different production companies that all have serious equity investments.

Generally Canadian films are smaller. I think the market here is a tenth of the size of the States. So there's less resources to put into the films.

I grew up always wanting to act, always knowing that's what I wanted to do.