You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away." He shrugged. "I don't mind you pushing me away if it means you love me, little sister.

Your eyes are beautiful," he said, and she felt warm suddenly, warm in the sun that dappled through the treetops and rested on them in patches.

I told you before, Katsa. I won't fight when you're angry. I won't solve a disagreement between us with blows." He lifted the ice and fingered his jaw. He moaned and held the ice to his face again. "What we do in the practice rooms-that's to help each other. We don't use it against each other. We're friends, Katsa. We're too dangerous to each other. And even if we weren't, it's not right.

Great seas," he said. "What do you want?" He held the candle up to her face. "Po, what do you want?" "She did a far better job than I would've done.

Do you understand? I don't want you to do a thing if you don't understand it.

The fellow who tends the greenhouse gardens? Trust me, Lady, you'd let him stake your tomatoes.

Art glows with faith even in its weakest parts. At every moment, writing is an act of self-confidence – the sheerest, most determined, most stubborn self-belief. You CAN have faith and doubt at the same time; the most insecure writer on the planet has faith that shines just as bright as her doubt, and she deserves props for that. It might be hidden deep, she might not feel it and you might not see it, but it’s in there, or she wouldn’t be able to write.