This is the problem with forever friends. They know too much.

...This fear was unbearable. It unwrapped who she was, as neatly as he'd unwound her bandage, leaving too much pain and ugliness exposed. Nerve endings; he'd said they were the problem [causing phantom pain in the amputated limb]." Things that cut off, that ended abruptly or died--like parents and marriages--kept hurting forever.

That was the one thing she knew now. Some chances came and went, and if you missed them, you could spend the rest of your life standing alone, waiting for an opportunity that had already passed you by.

Stacey: "I'm surprised you haven't thrown me out." Comfort: "At your current weight, I'd need some sort of catapult.

Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.

It was the Magic Hour, the moment in time when every leaf and blade of grass seemed to separate, when sunlight, burnished by the rain and softened by the coming night, gave the world an impossibly beautiful glow.

To lose love is a terrible thing. But to turn away from it is unbearable. Will you spend the rest of your life replaying it in your head? Wondering if you walked away too soon or too easily? Or if you'll ever love anyone that deeply again?