Hands down, the hardest part for me is coming up with an idea. I spend about 14 months writing a book, and that's a lot of hours spent thinking about a single project. I simply have to love the idea. I'll go through dozens of workable ideas until I find the one that lights my fire.

A daughter without her mother is a woman broken. It is a loss that turns to arthritis and settles deep into her bones.

The falling apart of a man's life should make more noise. It should startle passesrby with its Sturm and Drang. It ought to sound like the Parthenon crashing down. Not this ordinary, everyday kind of quiet...He closed his eyes...And still it was quiet, this falling apart of his life, as silent as the last beat of an old man's heart. A quiet, echoing thud, and then...nothing.

Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.

Marriages go through hard times. Sometimes you have to get in there and fight for your love. That's the only way for it to get better.

We women make choices for others, not for ourselves, and when we are mothers, we...bear what we must for our children. You will protect them. It will hurt you; it will hurt them. Your job is to hide that your heart is breaking and do what they need you to do.

She is like a child picking at a scab, unable to stop herself even though she knows it will hurt.