I'm not one of those famous people flying round the world emoting over every catastrophe. I'm too feeble.

I do a film because I like the story and I want to give life to a character - I don't necessarily have to agree with the director.

I've realised that I am who I am and that is it. Like it or lump it. I'm not around to please anyone any more, and it's a huge relief.

'The English Patient' was a huge turning point in my career and my life; it became this huge thing. But the whole Oscar build-up got completely out of control; I spent more time talking about that film than I spent making it!

Having a career is a bit like navigating an Atlantic crossing - you have to make sure everything is keeping and is balanced.

You don't choose a film because it's made by a woman, you choose it because it's good.

We all come in different shapes and sizes, and that's fine by me.