It’s odd, isn’t it? People die every day and the world goes on like nothing happened. But when it’s a person you love, you think everyone should stop and take notice. That they ought to cry and light candles and tell you that you’re not alone.

Home. It's such a simple word, one I never knew would come to mean as much to me as it has. It once was my dad's house, then my uncle's farm. Mostly it's meant wherever Charlie and I were together. Now, though, it's you. It's your letters, your words. They're the place I go to with my fears, where I find comfort, where I feel safe.

Not every loss was confirmed by an officer at the door. Nor a telegram with the power to sink a fleet. Loss, often the worst kind, also arrived through the deafening quiet of an absence.

The whole world can become the enemy when you lose what you love.

When I was a kid, my mom once told me that God was an artist and how on occasion He’d throw a bucketful of paint across the sky for us all to see. I asked her why the paint disappeared by morning, and she told me that if the sky was always like that we might take it for granted. I suppose she was right. Maybe that’s what war is all about—so we can appreciate times of peace.

It’s odd, isn’t it? People die every day and the world goes on like nothing happened. But when it’s a person you love, you think everyone should stop and take notice. That they ought to cry and light candles and tell you that you’re not alone.

The line between him and the enemy had simultaneously blurred and solidified. Somehow, while perhaps it shouldn't have, this thought provided a strange sense of peace.