The intersection of spiritual, dark music and radical ecology is quite natural.

The intersection of spiritual, dark music and radical ecology is quite natural.

There's no specific aesthetic other than a sense of the beautiful itself, I suppose.

I always wanted to make a cover album consisting of obscure psychedelic music from the 1960s - all re-shaped and customized, Ulver style.

There are a good number of people creating black metal and black metal inspired music in the northwest. Much of this music is radically noncommercial and exists only on a very local, private level.

People who just listen to music and are not a part of the creative community should realize that there is a lot of interaction between artists who have different styles.