The realm of superstitions, fortune-telling, presentiments, intuition, dreams, all this is the inner life of a human being, and all this is the hardest thing to film.

Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory.

(When asked what a director does) I help.

I feel Polish. More specifically, I feel like I'm from the tiny village in the Northeast of Poland where I have a house and where I love to spend time. But I don't work there. I cut wood.

Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.

That's the greatest sin a director can commit; to make a film simply because he wants to make a film.

Do people really want liberty, equality, fraternity? Is it not some manner of speaking?