One of the main reasons that I love doing what I do is because it's unpredictable and I don't know what's coming next. When you're creating work, it's up to you whether it's an exciting experience or not.

The annual output of carbon emissions is 25 billion tonnes and Global Cool's goal is to reduce it by one billion tonnes a year.

Exciting underground stuff is easier to find with YouTube than it used to be. You don't have to go to the dive bar in the bad part of town to see a band you would never usually see. My personal experience with it, when I was looking for a new lead guitarist, I was able to stalk guitarists on Youtube. And instead of having a horribly embarrassing auditioning process, I could check out peoples' playing. In some ways, you go into a record shop and the selection is narrower than it used to be with pop ruling the roost, but if you look, there's so much more to be found.

Regardless of any feedback. I love being a solo artist and having creative control. But it can be very nourishing and informative and flex very different creative muscles to work for someone else. You are essentially employed by the director. I love the challenge of that.

I grew up knowing I could have had a million different lives. It makes your life mysterious and your imagination go wild.

Independent record stores are like a casino where you put down your money and you always win. How amazing to discover gems you didn't know about, to meet someone more passionate than you are, and to feel at home in a place you may never have been to before. I'm convinced they will never lose their place - Long may they rule.

My songs examine and explore little specific emotions or situations or stories... They're kitchen table songs, like a conversation between me and one other person. It's almost like an alien has been sent to get emotional samples from human beings and put it all together on a record.